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[ms] · Est. May 2002

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Source Code (2011)

13 durable postsStarted 2011-04-11Latest 2012-04-02
#97787Post 1 of 13

Another well done film that delivers far more than what they're promoting in the ads. To dismiss this as being Groundhog Day redone as a thriller is selling this very short, seeing that Duncan Jones (director of Moon, the son of David Bowie) adds far more depth and feeling into it and moves beyond the story gimmick, mining it for much more. Did you see the Denzel Washington movie from a few years back Deja Vu? Imagine that, but much, much better.

Jake Gyllenhall is a military pilot that awakens in an unfamiliar environment - he's on a train, the girl across from him knows him, and he's struggling to determine the gap of about 2 months between his last memory and the place where he is now. He's quickly introduced into the project that he's participating in - he's reliving the last 8 minutes of memory recovered from a bomb detonation in Chicago that very same morning, with orders from Vera Farmiga (George Clooney's love interest in Up In The Air) to find the bomb, and find the bomber responsible for it. Jeffery Wright is Vera's superior, partly responsible for the science behind the program that allows Gyllenhall's character to re-experience the same 8 minutes over again.

There's a great twist to the movie that really adds a strong emotional tether to the whole film - in another director's hands, this would have been a whiz bang, far less brainier affair than what this turned out to be. He manages to elicit sympathy for everyone involved, giving a bit more dimension to characters that would have most likely turned out to be two dimensional stock characters that advance the story more than add any real substance to the film.

Big ups to Canadian comic Russell Peters in his role in the movie.

#1485555Post 2 of 13

Re: Source Code (2011)

How does it compare with Moon? There's been talk of the setup being kinda similar: One character trying to discover what happened to himself, etc.

#1485556Post 3 of 13

Re: Source Code (2011)

The theme of identity is similar to what was running through Moon, and there's a kind of melancholiness to the film that's similar to what Sam Rockwell experienced after the big twist was revealed and his character was forced to re-evaluate his situation. Duncan Jones is working with a much bigger budget this time around and while there's a similar, confined space feel to the whole film, he's still allowed to move around a lot more with the material and keeps the story and action beats moving. I found it kind of exciting the see Duncan Jones showing what he's capable of with more money and resources available, as you're seeing a director finding his storytelling voice.

#1493348Post 4 of 13

Re: Source Code (2011)

caught this last night and I thought it was very well done. i can see the comparison with Moon with how Jake Gyllenhall's character was stuck in a confined space as Sam Rockwell was stuck in the moon base .. and the twist at the end was fairly surprising

#1495551Post 5 of 13

Re: Source Code (2011)

Right on, seeing this!

#1517428Post 6 of 13

Re: Source Code (2011)

thought it was rather good! better than inception.

i love how hollywood casts roles akin to the film at hand... ...donni darko first comes to mind.

#1517563Post 7 of 13

Re: Source Code (2011)

good film...but as far as dealing with the theme of loneliness and self discovery..melancholy etc...the moon takes the cake IMO...but good film this....an interesting idea...although I have to say..it has a lot of holes.

#1517570Post 8 of 13

Re: Source Code (2011)

it is just a movie though. tis supposted to have lots of holes. :!:

#1517575Post 9 of 13

Re: Source Code (2011)

No, its not "supposed" to have holes. I very much doubt that authors of scripts think to them self let me make a s/f film that makes no sense logically. . . one would assume that everyone strives for some level of perfection in their field of work...especially art.

#1526439Post 10 of 13

Re: Source Code (2011)

Just watched it ...

So what I don't get is, how can Gyllenhaal character experience anything outside of the train or even deviate from Shawn the teacher's memories, if Gyllenhaal is simply traversing Shawn's memory paths?

The scene when Gyllenhaal leapt out of the speeding train to catch up with the bomber, why was there a pistol lying on the ground? IIRC Gyllenhaal had a semi-automatic on the train but the pistol on the ground had a barrel.

Those two loopholes aside, loved the film, awesome job. I liked how the film managed to re-enact the solitude of Moon but connect it to a larger world, Gyllenhaal's relationship with Farmiga (whom I thought did an excellent understated job), and still managed to squeeze in a love story.

The penultimate scene when everything froze, I thought that itself would've made a fine classy ending. Almost expected the scene to resume so no surprise there, but the final scene and the 'twist,' feels like one of them time paradoxes?

Gyllenhaal's character created a new reality when the train bombing was averted before Farmiga and the Source Code project went live, yet Gyllenhaal's character is lying in that life support waiting to be initialised for a crisis?

#1536554Post 11 of 13

Re: Source Code (2011)

I've just watched it. I had it figure out quite early but enjoyed it anyway

#1536580Post 12 of 13

Re: Source Code (2011)

[QUOTE=feather;974871]Just watched it ...

So what I don't get is, how can Gyllenhaal character experience anything outside of the train or even deviate from Shawn the teacher's memories, if Gyllenhaal is simply traversing Shawn's memory paths?

The scene when Gyllenhaal leapt out of the speeding train to catch up with the bomber, why was there a pistol lying on the ground? IIRC Gyllenhaal had a semi-automatic on the train but the pistol on the ground had a barrel.

Those two loopholes aside, loved the film, awesome job. I liked how the film managed to re-enact the solitude of Moon but connect it to a larger world, Gyllenhaal's relationship with Farmiga (whom I thought did an excellent understated job), and still managed to squeeze in a love story.

The penultimate scene when everything froze, I thought that itself would've made a fine classy ending. Almost expected the scene to resume so no surprise there, but the final scene and the 'twist,' feels like one of them time paradoxes?

Gyllenhaal's character created a new reality when the train bombing was averted before Farmiga and the Source Code project went live, yet Gyllenhaal's character is lying in that life support waiting to be initialised for a crisis?[/QUOTE] Apparently, as they mentioned in the ending, the people who created the system didn't actually fully understand how it worked. Somehow he was actually entering alternate realities and not a world created from the memories of the individuals. I don't think Gyllenhaal was creating an alternate reality in his mind, more like by going back in time he was entering an alternate reality where he could change the course of past events. So there are two realities, one reality where Gyllenhaal is on life support and the other where he is in the body of the Shawn.Very dubious to me, but I believe that's how they tried to explain it.

#1602672Post 13 of 13

Re: Source Code (2011)

Watched this yesterday - enjoyed it a lot. Loved the concept

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